Adverbs

Books:
Locals Only: An Outsider’s Insider Perspective on Aotearoa  (Compound Press 2020)
We Used to Be Everywhere (Ugly Duckling Presse 2013)
The States (Ugly Duckling Presse 2007)
Coming Up For Air with drawings by Shelton Walsmith (Loudmouth Collective 2002)
The BBQ Killers (Loudmouth Collective 2001)

Fiction:
Fence (The Bean Counters)
The Diagram (Rich Girls Will Break Your Heart)
Mayday (Without Barricades There Is No Proof of Intrusion)
Heavy Feather Review (Executive Summary: A Survival Kit)
Entropy Magazine (I Am the Bird Who Salutes)
Volume 1 Brooklyn (Deadly Ponies)
45th Parallel (In Search of Organizational Control)
Blood Tree Literature (We Were Noted For Any Number of Extraordinary Traits)
JMWW (Petroglyph)
Stasis (Hypnosis Is Something We Do in Our Sleep)
Ghost Town (Better Living Through Linguistics)
Faultline (We Never Talked About Your Parents & You Are Not Naturally On This Earth)
Fiction International (Grackles Decipher the Futures of Other Birds by Stealing Their Children)
Stardust Gazette (Diaspora Enthusiasts)
Weijia Quarterly (The Project Managers)
Map Literary (Without Stigma)
Birkensnake 5 (The Party After The Party)
Black Warrior Review (Why Should There Not Be A Handle)
Eleven Eleven (Having Become The Subject Of A Parable The Image Collapses)
Harp & Altar (Pattern Recognition)
Trickhouse (Resuscitation Strategies)
Sidebrow (Heart of Palm)
Chicago Review (Miasma and The Return of the BBQ Killers)
Ninth Letter (Tower of Babel)
Greensboro Review (Owl Eyes)
Octopus Magazine (Floating Downstream and Taking the Mouth of the River With You)
Denver Quarterly (You Cannot Trust the Alphabet)
Hayden’s Ferry Review (Each Umbrella Its Own Paradise)
The Modern Review (The Means)
Fourteen Hills (Superheroes)
580 Split (What Jesus Says)
Alaskan Quarterly Review (The Kids)
The Literary Review (What I Look Like These Days)
Fiction International (The Green Room)
Santa Monica Review (Constellations)
Rampike (Transport System)
Raised in a Barn (Cocoons)

Poems:

Dream Pop (Until We’re No Longer Real)
The Elevation Review (Petroglyph #2)
Milly Mag (Theorying the Take a Step Too Far)
Reality Beach (Horizon Enthusiasts)
Gone Lawn (Relevant Population)
Cloud Rodeo (Three Pieces)
Powder Keg (If Madonna Died Tomorrow)
Minarets (One of us Has Gone Missing)
The Felt (Deadly Ponies & Grass Islands)
Word / For Word #28 (Four Petroglyphs)
Golden Handcuffs Review (Three Petroglyphs)
Jet Fuel Review (My Mouth is Moving)
Minarets (Deleuze)
Spinning Jenny (D is for Dendrite)
Denver Quarterly (F is for Frigidaire)
Past Simple (Three poems) 
InDigest Magazine (P is for Pixellate)
Dear Sir (Three poems)
So and So (Two poems)
Word/For Word (Four poems)

Takahe (Hokianga)
Leveler (S is for Schwa)
Elimae (O is for Oeuf)
Otoliths (Two Poems)

Collaboration:
Conjunctions with Quintan Wikswo (The Heart is an Organ Which Must be Bled)
Fence with Ramsey Scott (Identity Theft)

Criticism:

Vol I Brooklyn (Cochlear)
The Minarets Apocrypha: A response to Judy Annear’s “The Ls” (The Alphabet Is Not Designed for Reading)
Art News New Zealand (New Wave Jewellery – With Kristin D’Agostino)

Exhibitions and Performances:

Opera of Objects (with Clocked Out and Cathy Milliken) (Video clip) Queensland Conservatorium Griffith University
The States (Video clip) (Judith Wright Contemporary Centre For The Arts Brisbane Australia 2009)
5 x 5 x 5 The See Here (Wellington)
Out There – That Thing We Call Nature (Westerly Rhode Island 2007)
Permanent Transit (Adelaide Australia 2002)
Loudmouth Collective Sound Orchestra (New York 2000)
Other Planes (Australia – USA 1999)